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Jude Lewis

All that can be said is that one is only able to paint that which is revealed to him. Beyond that, one can merely list the things about which he ponders: Prime Reality; the nature of one’s relationsh

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My work is an allegorical representation of our individual and human states. The image functions as a subtle but charged signifier that creates a delicate net of meaning. The outer representation beco

Stephanie Pierce

I have a compulsion to collect and photograph discarded, abandoned, and overlooked objects. I find them oddly humorous and often beautiful despite the fact that most everyday objects are taken for gr

My life experiences and cultural background are the inspiration for my work. I create ceramic objects that reflect traditional Korean culture and western contemporary style. Eastern and Western cultur

ARTIST’S STATEMENT The beauty of nature: the seasons, the weather, and the transitions of the landscape have always been an inspiration for my artwork. For me, nature and art go hand in hand.

Cheryl K. Shurtleff is the recipient of an INDIVIDUAL VISUAL ARTIST FELLOWSHIP from the Idaho Commission on the Arts and the National Endowment for the Arts for the 2014-2015 year. Shurtleff has work

KEITH BOADWEE Born: Meridian, Mississippi, 1961 Lives/Works: Emeryville, California Education: B.A., U.C.L.A., 1989 I am represented by Brennan & Griffin, New York and The Pit, Los Angeles. You a

Doug Loves You Recent Updates: Solo show at Aggregate Space Gallery in Oakland, CA Lots of new work - Documentation coming soon. Doug's interview with a TV show called "Right This Minute": Watch

Inference Series: Intuitive deliberation in visual energy. Inner-Circle Series: Transmutation of distinct gesture to replicable lexicon of sculptural forms. Beta Series: Invented symbolic language,

Jason Bige Burnett graduated from Western Kentucky University with a BFA in ceramics and BA’s in both printmaking and graphic design. Burnett continued his education and studies as a core fellowship s

Through my investigation into the concept and process of handwriting I became intrigued with the ability to communicate beyond the message encoded in the text. Handwriting is a visual language emanati

We are born with this artistic tilt, we can’t shake it, we want to feed it. We feed it reality, fantasy and imagination. The hard part is learning how to properly use the tools needed to create the o

My interdisciplinary work includes large-scale immersive sculpture environments, stitched and altered book pages, and language-based conceptual projects. Common to all my work is an interest in spaces

Since 2008 I have organized my studio practice around Shakespeare’s Timon of Athens. It is considered Shakespeare’s most problematic work and is the only one of his plays not performed in his lifetim

A h n J u n

Zimra Beiner