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Recognized for her “…ardor and warmth…” [Houston Press] soprano Théodora Cottarel has been singing internationally in both operas and concerts. Born in the United States to French parents, she received her Bachelor’s of Music from the Manhattan School of Music. “Armed with confidence and purity of tone…”, after her first successes in Die Zauberflöte (Pamina) and Hansel and Gretel (Gretel) in New York, she triumphed in Don Giovanni (Elvira) and La Clemenza di Tito (Servilia) in Houston. She has participated in several festivals throughout Europe, notably speaking in Così fan tutte (Despina) with the Rome Philharmonic. Other operatic engagements include Beggar’s Opera (Polly), Little Women (European premier), Nina, o sia pazza per l’amore by Paisiello (American premier), Suor Angelica (Suor Genovieffa) and creating the role of Maria in Edward Poll’s Yerma. She continues to participate in concerts and recitals across the United States and Europe. You may have heard her in Britten’s Ceremony of Carols or Mozart’s Missa Brevis in Do with the Rome Philharmonic. She was a finalist in several competitions including Spazio Musica Competition, New York Lyric Competition and Classical Singer Competition. Most recently, she sang at the Théâtre des Champs-Elysées working with both Jay Gottlieb and Lambert Wilson. She also premiered Tiziana De Carolis’ Dualités Déconcertantes under Vincent Renaud’s baton. Her upcoming engagements include a series of recitals both in France and the United States.

Welcome to the website of Australian soprano, Siobhan Stagg.  --------------------------------------------------------------- LATEST NEWS: Pamina in Die Zauberflöte at Royal Opera House, Covent Garden September 2017: Siobhan made her highly-anticipated mainstage debut at the Royal Opera House in London this month, as Pamina in Sir David McVicar's production of Mozart's DIE ZAUBERFLÖTE. Press reviews described her debut run as "deeply…

Michele Carulli gehört jener Spezies von Musiker-Dirigenten an, die heutzutage rar geworden ist. Denn obwohl das Interesse an der Materie ihn von Anfang an zutiefst prägte, war es erst der allmähliche Erwerb wertvoller Erfahrungen, der die praktische Ausübung konkretisierte. Heutzutage - dies sei nicht um der Polemik, sondern um der Wahrheit willen gesagt - werden Dirigentenkarrieren häufig konstruiert ohne jene Basiskenntnisse der Materie vorauszusetzen, die vor nicht allzu langer Zeit noch als unverzichtbar galten. Michele Carulli dagegen ist stolz darauf, sich die nötigen Erfahrungen im Bereich der Musik Stufe für Stufe erarbeitet zu haben, um endlich das angestrebte Ziel der Orchesterleitung zu erreichen

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