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Dani Restack (Dani Leventhal) describes the creation of her moving-image works as a process of “accumulation and excision.” In videos such as Sister City and the companion piece Platonic (both 2013), Restack collects and chisels moments, stories, and images, placing them within loose constellations rarely unmarked by the specter of death. Restack shoots her own footage, often involving individuals who are close to her, but treats the resulting images almost as a bank of found material to be manipulated and recontextualized through montage. Her cutting is intuitive, not systematic. Micronarratives of birth, aging, awkwardness, and pain gradually take shape without ever fully congealing, as Restack allows her images to breathe even as she transforms their tenor through assemblage. The textures of the everyday are refracted through an intimate sensibility that dwells in the vulnerability of our fleshy bodies, our need for care and communion—and our cruelty.

Monitor vacancy; manage space and occupancy; support moves, restacks, and more. Gensler addresses gaps in traditional CAFM and IWMS systems with Wisp.

Television Antennas and Television Installations

Monitor vacancy; manage space and occupancy; support moves, restacks, and more. Gensler addresses gaps in traditional CAFM and IWMS systems with Wisp.