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Bob Evans Bio Bob comes from a background of, perhaps one of the most creative professions, engineering. Some may think that this is not such an obvious background for an artist, however, all good engineers know that creating something from nothing gives you tremendous creative rush and oft times you find that the best engineers are frequently very accomplished musicians, artists and in my case, photographers.. Landscape Photography of Bob Evans A late comer to art photography Bob spent his early career working in engineering designing lifesciences equipment and then latterly moving into general management. During this time he and his family have lived in England, Florida, New York and latterly in Massachusetts. Bob travels frequently on business and always takes a camera with him as you never know what that perfect image will appear. During this time he had a very active interest in photography, probably coming from his father who is also an accomplished photographer. Over the years as he honed his expertise he found that what could best be loosely described as ‘landscape’ was his metier. Particularly in the abstraction from reality of key elements helped by almost exclusive use of black and white. Influences Early influences were Fay Godwin, a very accomplished english landscape photographer, sadly no longer with us. Her work evokes a deep empathy with the land and her keen eye and technical skill inspired him greatly. (http://en.wikipedia.org/wiki/Fay_Godwin). Ansel Adams whose images of Yosemite and the American West together with the deep technical knowledge and skill in producing the finished print and treating the entire process as a pre-visualised expression was particularly welcome. Bill Brandt and Weegee, where the technical element was secondary to the image and the emotions evoked by them. Similarly with Cartier Bresson and his ‘decisive moment’, although Bob has never particularly focused on people photographs, on the occasions he has you can most defiantly see there influences, as shown in the 'people' gallery. Photo’s by Bob Evans Building on that creative engineering background Bob continued to hone his his technical skill and artistic eye. An early Nikon fan, Bob’s first ‘proper’ camera was an Nikon FM, an excellent manual workhorse that was used extensively. Over the years Bob has used many other cameras. For those ‘decisive moment’ shots he always carried a Minox 35GT, usually loaded with Ilford HP5. For his main camera he rapidly moved beyond 35mm and whilst he was using film his preferred outfit was a Bronica ETRS and then moved to a Mamiya RB67 and a home made 5x4. All of his darkroom work was done at home with a full setup for black and white and colour and many happy hours spent in the darkroom. Ilford was the brand of choice for monochrome work usually FP4 for larger formats and HP5 for 35mm both developed in ID11. This background in the craft of photography certainly helped in the transition to digital and he now spends more time in front of the computer then he ever did in the darkroom! he now uses Nikon systems exclusively, keeping an old D100 for Infra Red images, which have always been an interest to him. Perhaps this is driven by the abstraction from reality aspect of Bobs work which is so prevalent in his work. Having an eye for an image that would tell a story Bob has a key guideline that he rigorously applies, no manipulation of the subject is allowed. Bob strongly believes in taking the subject ‘as-is’ no posing of subjects, moving items etc. He greatly admires photographers who are expert in that technique, however, for himself it is capturing the essential essence of the subject matter that is vital to him. Bob has had his work published in the national press in England covering news events as well as having several shows in both the UK and in New York and has recently decided to move onto the web. He is a keen member of the Blackstone Valley Art Association and Arts Worcester and as well as photography he is also a keen sculptor and abstract painter as shown in the art gallery.

"It's late and I can't sleep. Can you tell me a story?" he asked her as he lay there in the dark. "You're awake in the lonely hours. That's enough of a sad story." Then he chuckled and stared at her with his tried, yet shining eyes. A faded light gave him a glimpse of…

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José Raposo found photography when he was 14, and that felt almost like finding himself. After all these years, we can not tell the photography from the photographer. José Raposo is photography and its commitment to the art form that defines him granted him several awards and, last but not least, the global recognition of his unique point of view.

Let me tell you about Him!

Cru has been on campuses for more than 60 years, helping students come to know Jesus, grow in their faith and then go to their families, their communities and all over the world to tell others about God’s love. Things have changed a bit since we got started as Campus Crusade for Christ in 1951.…

And what is good, Phaedrus, and what is not good – Need we ask anyone to tell us these things?

Riekert Cloete is a Cape Town based Family, Commercial and Wedding photographer. Let him help tell your story through exquisite imagery.

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Because you should always take the time to make each moment of your life an unforgettable moment, Diariste imagined for you an online diary accessible from anywhere in the world, on the internet and mobile application.

Joel Daniel Phillips is an artist living and working in San Francisco. His life-size drawings focus on the tenets of classical draftsmanship employed in monumental formats. Inspired by the depth and breadth of human experience, he strives to tell the stories etched in the faces of those around him.

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The Miraculous Power of the Eucharist. Jesus is Truly present in the Eucharist, and wants to tell an unbelieving world to come and stay with Him in Eucharistic Adoration. Truly, this is the Sacrement of His Love.